The show’s creator and showrunner Chris Van Dusen had a very specific vision in mind for the Regency-era romantic drama based on the New York Times best-selling book series by Julia Quinn, and Mirojnick fell in-step immediately by taking the Regency silhouette for both women and men, and completely turning it on its head. "Bridgerton's" incredible costumes are a huge reason why the show is one of the top original Netflix series of all time! From bodice-ripping sex scenes to orchestral Ariana Grande songs, Netflix’s “Bridgerton” is definitely not your mother’s period piece. Ahead of its Christmas Day release, Emmy Award-winning costume designer Ellen Mirojnick talks us through the series’ showstopping outfits. Costume designer Ellen Mirojnic is behind the opulent gowns and headpieces seen on the Bridgerton clan and their cohorts in this alternate-universe version of 19th-century high society London. “There’s nobody in the world like [Mr. Pearl], no one.”. He is the foremost corset maker in the world today, and he made all our principal cast’s corsets. The men are dandies and that’s always fun to do because of the color combinations, the fabric combinations and the textures are very bold — they’re roguish and handsome at the same time. VV: What else did you do with fabrics and color and design to modernize the look? Get Shondaland directly in your inbox: SUBSCRIBE TODAY, How 'Bridgerton' Pushed 'Period' to the Max, You’re Invited: Behind the Scenes of ‘Bridgerton’, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. Get Your First Look at Shondaland's 'Bridgerton', Bridgerton Cast Questionnaire: Golda Rosheuvel, ‘Bridgerton’ Cast Questionnaire: Jonathan Bailey. From the “audaciousness of the Featheringtons” to the Queen’s ever-changing silhouettes, the stars of the show all “flipped out and loved” their looks. The actor has been charming viewers on the new Netflix... Post was not sent - check your email addresses! The show's central character, Daphne Bridgerton, had over one hundred costume changes, so it's easy to see how quickly those costume pieces add up. Would you wear Lizzo’s butt-baring cutout dress? Visit Insider's homepage for more stories. Your California Privacy Rights Is it easy for his trousers to drop? VV: What was the creative thinking behind not using any bonnets? The rich jewel tones, embellished necklines, and … Bridgerton costume designer Ellen Mirojnick explains her spin on Regency style. 14,754, This story has been shared 9,008 times. When creating the “half corsets” seen on many characters in the show, Mirojnick collaborated with iconic couturier Mr. Pearl, whose legendary designs have been worn by stars ranging from burlesque superstar Dita Von Teese to Kim Kardashian at the 2019 Met Gala. JG: That look comes from Napoleon’s obsession with Greek and Roman aesthetics. Bridgerton Features 7,500 Glorious Costume Pieces Costume designer Ellen Mirojnick opens up about the grand endeavor of bringing the Netflix series to life. It was a great layout for it, but also, it overwhelmed us; that’s when we realized this was going to be a lot of work.”. Since the show’s release, the Duke has skyrocketed to sex symbol status; a spoon he licked on the show even spawned its own Instagram account. EM: Everything really does go back to the Shondaland esthetic. This story has been shared 250,052 times. And you could see the flow of the styles. John and I really don’t like getting that call halfway through saying we need to pull back, and that never came. So, we decided on that Regency silhouette, which would be constant in both the male and female characters, and from there we used every single fabric we could find and every color, nothing was excluded at all. They shield the face; they instantly make everybody seem precious or old. Below, Shondaland talks in detail with Mirojnick and Glaser about Regency fashion, the painter who influenced their color palate and the famous corset maker they were able to snag. In the case of Bridgerton, the series starts in 1813. She has written for The Washington Post, Vanity Fair, New York Magazine and Variety, among others, and contributes to Shondaland.com regularly. Ellen Mirojnick and John Glaser took Regency silhouettes, colors, and designs for both the women and men of 'Bridgerton' — and completely turned it all on its head. Bridgerton's Costume Designer Reveals How Dior and Chanel Inspired a Modern Regency Wardrobe. You may be able to find more information about this and similar content at piano.io, Meet 'Bridgerton' Script Supervisor Helena Jung, Inside 'Bridgerton': The Set of Clyvedon Village, What to Expect from the ‘Bridgerton' Podcast, The ‘Bridgerton’ x Phenomenal Sweatshirt Collab, 'Bridgerton' Principal Costumer Jessica Phillips, Introducing 'Bridgerton: The Official Podcast', 'Bridgerton' 2nd Sound Assistant Elizabeth King, Crowd Hair & Makeup Artist Wayne Fitzsimmons, Get Ready for 'Bridgerton: The Official Podcast'. 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'Bridgerton' Costume Designer Brings High Fashion Influences to Shonda Rhimes' Regency Era Though many of the British actors were “used to doing regency in somewhat of a Jane Austen feel,” the clothes in “Bridgerton” are just as vibrant as the show’s colorful characters; there’s nary a beige dress or bonnet in sight. Combining modern embellishments with classic Regency-era silhouettes, costume designer Ellen Mirojnick has brought Bridgerton’s sp Earning their spot in Netflix’s Top 10 list, Bridgerton has given audiences a steamy English Regency fantasy. There’s so much contradiction between these two families, so we looked at how we could bring them together and how we could separate them. And by virtue of that, there’s a softness to it. Early on, we made a look book that combined images of historical references, high fashion and Shondaland — it was a way to keep everybody in the entire crew and cast on the same page and to give a feeling of the look without defining each character. Costume designer Ellen Mirojnik spoke to HelloGiggles about the secret messages hidden in each character's wardrobe, from Daphne and … Costume Designer Ellen Mirojnick on Why Bridgerton Presented the "Challenge of a Lifetime" The Shondaland veteran reveals how her team came to create 7,500 costume pieces in … “Although he is so much of a rogue and so handsome … how he evolves is that he becomes a bit more sophisticated,” said Mirojnick. I think that in one of the conversations I had with producer Betsy Beers and Chris we were thinking about colors like a sorbet, and also French macaron colors. And during that time surrounding the Napoleonic Wars, there was a shortage of luxurious fabrics, mostly silk, so designers used muslin and cotton. From the very first reading of the show’s outline, she and her co-designers John Glaser and John Norster knew their task was going to be on a grand scale — both in scope and look — but Mirojnick and Glaser had worked with Shondaland previously on the period romance Still Star-Crossed, so they were up for the challenge. The costume designer estimated that the principal characters alone required roughly a thousand pieces. And it was because of that shorthand from Still Star-Crossed we were all on the same page. Her tangents and general complaints can be seen on Twitter at @ByValentinaV . How does his shirt come off? We may earn commission on some of the items you choose to buy. Bridgerton’s costume designer, Ellen Mirojnick, who worked on Shonda Rhimes’ How To Get Away With Murder, is profiled in Town and Country. The Costume Designers Guild has revealed the nominees for its 23rd annual CDG Awards for film, TV and shortform. Liam Daniel/Netflix Throughout the series, there is "synergy between the sets and the costumes," production designer Will Hughes-Jones told journalist Valentina Valentini Q&A … ‘We had to create a costume house that was making mens and womens clothing, inside and out, from underwear to shoes, there was nothing out there that we could use,’ she explained. VV: Figuratively and literally speaking, you colored outside the lines. Things along those lines,” explained Mirojnick, who looked to showrunner Chris Van Dusen’s script for cues. Take a look at the costumes from the hit Netflix series Bridgerton, and you might find yourself transported back to your childhood. The characters wear their finest clothes and jewelry in every episode. “We had a shorthand already and knew their aesthetic,” says Mirojnick, “so the overall feel of the show became clear just from one conversation with Chris.” Adds Glaser: “That script gave us the information needed for all eight episodes. It was beautiful, and the rounder and the smoother they were, the better they looked. ", Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window). Your Ad Choices JOHN GLASER: It’s so true. Liam Daniel/Netflix Throughout the series, there is "synergy between the sets and the costumes," production designer Will Hughes-Jones told journalist Valentina Valentini Q&A … Costume designer Ellen Mirojnick reunited with executive producer Shonda Rimes for the innovative regency romance — and as the 63 million-plus households already watching Season 1 can attest, the show’s clothes are truly the “diamond of the season.”, “My main objective was to create a world that was aspirational, that I could take regency and twist it enough and be able to add modern elements,” Mirojnick told Page Six Style. Also, enjoy the video featurette below that reveals the massive undertaking of dressing Bridgerton. "Bridgerton" costume designer Ellen Mirojnick speaks to L'OFFICIEL about bringing a modern twist to Regency fashion for Netflix's new period drama. "Bridgerton" costume designer Ellen Mirojnick discusses the secrets of the show's style — including how she created clothes for all those sex scenes. When they came to us, we said from the get-go that this was no small affair, and we needed a lot of resources. And they had a choice to walk away at that point. A typical Regency-era accessory. EM: When I was told that Mr. Pearl works on teams and that we could get him, I almost fainted. It’s not just one piece that’s an illustration of what it means to create a Shondaland aesthetic, it’s sticking to the Ss: sexy, sumptuous, scandalous, sublime, skin. The enormity of the production lay partly in the fact that they essentially had to clothe the whole of London in 1813. Then you have an image in your head of what it feels like. “And in that time, I remember bringing it up with Shonda [Rhimes] that we wanted to do a modern fashion look [grounded in] historical ideas.”.
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