Banet-Weiser (2018) proposes that we approach contemporary feminist visibilities through the concept of “popular feminism,” where “popular” is seen as a site of struggle over recognition and meaning. On the one hand, capitalist infrastructures of circulation privilege neoliberal feminism, which incorporates a grammar of empowerment and meritocratic advancement in order to bolster rather than challenge prevailing economic, racial, and gender hierarchies (Banet-Weiser 2018; Fraser, 2013; Prügl, 2015; Rottenberg, 2014; Thorpe et al., 2017). FREEDOM OF THE PRESS Must Continue! Because even “very minor mishaps” (Goffman, 1956: 56) risk violating the interaction order—that is, the ceremonial ground rules of interaction “upon which the maintenance of ‘self’ depends” (Rawls, 1987: 140)—impression management must be rehearsed reflexively, with caution and foresight. Justus and Rash watched it and here's what they thought of Coming to America 2. Instagram’s self-presentation incentives and pressures taught users to treat their profiles as a form of social or aesthetic capital to be protected from expressions that may be seen as unpopular or strange. Joel Justus has risen from the ranks of player to high school coach to assistant at Kentucky all before the age of 40. Because profile work is always conducted in relation to contextual norms and becomes especially laborious when the user deviates from them, Nika has to “try to be really proud about bad quality photos, or Insta-stories [videos posted to Instagram that disappear after 24 hours], because you always kind of strive to this high quality.” As illustrated by Nika’s efforts, resisting the powerful desires produced and alluring social rewards posited by Instagram necessitates an inner battle. He received a certificate in women’s studies and a PhD in sociology from the City University of New York, and his work has appeared in journals in sociology, geography, and media studies. I volunteer at The ReUse Market in Boise, Idaho, a thrift store for art supplies. Based on interviews with feminist Instagram users, this article studies emergent feminist visibilities on Instagram through the concept of filtering. We’ll stop supporting this browser soon. tim.armann Tim Armann. . Table 1 contains additional background information on the interviewees and their Instagram presence. Thus, the distinct interaction orders observable on different online platforms emerge in dynamic interplay between technical features and user activity. FREEDOM OF THE PRESS Must Continue! If you have the appropriate software installed, you can download article citation data to the citation manager of your choice. Users must, then, both strategically and emotionally navigate the cross-pressures associated with social media like Instagram—such as balancing personal self-representation goals with the potential shame of “stepping out of line” in the eyes of one’s imagined audience or the desire to enhance one’s job prospects by self-branding (cf. The spectrum of political opinions she was able to share with her audience was restricted. This is perhaps also why many interviewees who felt frustrated with Instagram became more passive in updating their profiles instead of challenging how social reward is typically distributed on the platform on evidence of social, professional, or aesthetic accomplishment. Because then people would respect each other more based on humanity than on looks. Emergent feminist visibilities are filtered in this dual sense. The young women we spoke to reported often feeling friction between their personal self-presentation goals and what the pursuit of employment opportunities demands of them. Grupa Justus jest liderem w świadczeniu kompleksowych usług ochrony. These data can help shed light on segregation, the formation of subcultures, strategies of distinction, and status hierarchies in the city. Figure 9. Feminist self-presentation and empowerment become entwined with aspirational and often highly individualistic identity construction practices. This website is using a security service to protect itself from online attacks. 14 Days FREE OFFER!! Social media self-presentation is closely related to affordances: features of socio-technical systems that enable and constrain interactive behaviors (Bucher and Helmond, 2017). . 126.2k Followers, 4 Following, 173 Posts - See Instagram photos and videos from Justus (@justus_original) Feb 6, 2019 - 6,601 Likes, 120 Comments - Justus Frederic Hansen (@justusf_hansen) on Instagram: “Werbung | Different brands, different colors, different fabrics, different shapes and also…” But within, she struggles. This video is unavailable. Women’s organisations and the social imaginary of networked feminism, Postfeminist media culture: elements of a sensibility, Post-postfeminism? Find us on Facebook and Instagram @angrylinecookstp and follow along with us over the next few months as we document the build-out process. Ida regards comments that condemn her sexual assertiveness as an indication that she’s breaking down boundaries. Justus Denied, Broken Bow, Oklahoma. . . Choose your favorite justus original artwork from the hundreds of thousands of artists. In image editing, filters either transform image data or generate new data to achieve a visual effect (Manovich, 2013). The email address and/or password entered does not match our records, please check and try again. Justus (died on 10 November between 627 and 631) was the fourth Archbishop of Canterbury.He was sent from Italy to England by Pope Gregory the Great, on a mission to Christianize the Anglo-Saxons from their native paganism, probably arriving with the second group of missionaries despatched in 601.Justus became the first Bishop of Rochester in 604, and attended a church council in Paris in 614. It really feels good to love myself and share it. Members of _ can log in with their society credentials below, Laura Savolainen, Justus Uitermark, and John D. Boy, https://creativecommons.org/licenses/by/4.0/This article is distributed under the terms of the Creative Commons Attribution 4.0 License (. I try to counter that, but I also see that it goes against the way the medium is created: I always get the most response and engagement on pictures of myself. St Justus was the first bishop of Rochester, sent by St Augustine of Canterbury to establish a cathedral at the other end of the kingdom of Kent in AD604. 14 Days FREE OFFER!! The selves cultivated on Instagram by most of our interviewees are notably agreeable and consensual (Figure 1), crafted to avoid causing negative reactions in audience members. For instance, Maya’s images in Figure 8 are taken on the same occasion and posted to two separate profiles. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Figure 7. Our interviewees believed that Instagram was not the platform to express anger, vulnerability, or frustration. . She started posting YouTube videos as a young teenager and experienced that her sex-positive message resonated strongly with her followers. We also provided them with an opportunity to give feedback on the analysis. SocialBlade is a premiere Instagram community where you can chat with other Instagram … It’s my best angle and lighting, . I get a prize, or am speaking at a conference. Annette had a similar trajectory. After finishing her business degree, Sara moved from the Netherlands to New York to pursue a career in plus-size modeling. Some of the things I find very important I haven’t posted much about. Figure 6. . Books: Woodlands By Justus Hayes Book Preview "Woodlands" is an exploration of the inside of one of Greater Vancouver's most troubling landmarks, the abandoned "school" for the mentally handicapped (and our province's first insane asylum), before flames destroyed the complex in 2008. Together with Instagram’s affordances, these popular feminist affects and associations produced subjectivities willing to disclose their personal lives to their followers, and digital selves that were both enhanced and relatable; a combination that works exceptionally well for social media self-branding (Duffy and Hund, 2019; Petersson-McIntyre, 2020). We then lay out how we collected and analyzed our data before discussing how our interviewees engage in filtering practices. Expression on social media, political or otherwise, cannot be divorced from the performance of self that social media platforms afford (Milan, 2018). Lorde, 1984)—was likewise a recurring theme in our interviews. As a relational concept, filtering comprises sensitivity to observable practices of strategic self-performance (Goffman, 1956; Uski and Lampinen, 2016)—the realm of conformity and self-enhancement—but also a concern for the subjective, emotive, and embodied repercussions of social media self-presentation: the novel, energizing desires, the straining personal problems, and the concealment of “embarrassing” behaviors and feelings in accordance with reigning etiquette (Elias, 2000). Sharing links are not available for this article. We have two complete prize packs to be won and they’ll be drawn at 4pm WST on Tuesday 2nd October & announced on this original post so get your entries in pronto. Like Ida and Annette, many had begun using Instagram to share funny moments with a small group of friends, but as their audience grew and diversified, they had started thinking more about the “image” they cultivated. 6 Posts - See Instagram photos and videos from ‘justus_original’ hashtag Maintaining an Instagram presence requires a great deal of reflexivity and self-regulation, but depending on their positionality, feminist sensibilities and self-projects, our respondents developed a variety of strategies. Online misogyny: a challenge for digital feminism? It is ambiguous to the core: feminist posts make loud claims to transgressiveness and resistance, while in their form and content seek to accommodate the platform’s cross-pressures. The aim of “honest” posts, then, is not to disrupt Instagram’s interaction order, but, paradoxically, to validate it. 286 likes. In these cases, feminist sensibilities do not complicate or hinder aspirational and aestheticized self-performances. Decided to continue my podcast series. Sometimes filtering works in a “subtractive” manner: it requires users to hold back and downplay what otherwise would be an active part of their self-projects. So that’s hard sometimes. “As a woman of color, I’ve felt the need to take myself seriously and present my accomplishments [on Instagram] in a way that’s going to enhance the image of me as successful and good at what I do” (Ajda). 10.5k Followers, 837 Following, 1,314 Posts - See Instagram photos and videos from Just us (@justus.is) Subtractive filtering also applies to emotions. Filtering boosts feminist (self-)projects that are well-suited for the platform and make use of its concrete and imagined affordances, for example, by optimizing one’s activist self-presentation based on received feedback. With high levels of use among younger age groups and a popularity among women (cf. They experienced filtering as pleasurable and even endorsed practices of filtering. She stu digital cultures and political expression on social media through focusing on the interplay between platforms, their affordances, and user activity. I do think it’s difficult . Figure 3. She became passionate about breaking norms and double standards related to gender and sexuality. rape culture, body positivity, or equal pay). While our interviewees pay heed to expectations, their posts often appear to suggest otherwise (Figure 2). A focus on feminist media visibilities matters, because they “redirect and reimagine what ‘empowerment’ means for girls and women” (Banet-Weiser, 2018: 17) and “make [things] available and foreclose [them] in terms of politics” (Banet-Weiser, 2018: 5). Also the recipient of a John Mayer cosign, West’s style of guitar is athletic and extremely contemporary, but always melodic and … Social media is constitutive of popular culture, and popular culture is a terrain where feminisms of varying positions of compliance and resistance vis-à-vis the status quo circulate and struggle over meaning and visibility (Banet-Weiser, 2018). About a year ago I was having a conversation with another model, and she was like, “It’s really important to show on your Instagram who you are as a person. To marginally increase her self-presentation bandwidth, Maya has to engage in at least twice the profile work: she has to switch between two accounts, choose, edit, and publish more images, and manage two online personae instead of just one. For both rank-and-file users and “instafamous” (micro-) celebrities, personal profiles act as “‘front stages’ where actors strive to optimize [emphasis added] the (re)presentation of the self” (Marwick, 2013; Milan, 2018: 510). Some users have created “finsta” (fake Instagram) accounts where they are free to display aspects of their lives that do not fit the conventions of Instagram in a supposedly unfiltered and spontaneous way. As such, they had made an explicit connection between Instagram and feminism, minimally signaling their interest in feminism on the platform, maximally using it as a technology for activism. This video is unavailable. Most often interviewees authenticate their self-presentation practices with recourse to affects and feelings: their posts represent moments they have truly enjoyed and achievements they are sincerely proud of. Social media self-branding is not only quintessentially gendered, but also an individualistic endeavor, which may further complicate the practice for users invested in collective feminist politics (Pruchniewska, 2018). Listen to Justus by Ole Biege, 1,086 Shazams. Users retain the copyright over the original content they post to Instagram. We discuss examples of subtractive and enhancing filtering before addressing the balancing acts that most interviewees engage in. The Social Blade Decade Abbreviated Subscriber Counts on YouTube Social Blade launches Report Cards for YouTube Instagram opens highly-coveted verification fo… YouTube Premium to debut 50 original shows in … YouTube Music inks partnership with American M… . Instead of shying away [from femininity], I reclaimed it. By continuing to browse Justus, baron von Liebig, German chemist who made significant contributions to the analysis of organic compounds, the organization of laboratory-based chemistry education, and the application of chemistry to biology (biochemistry) and agriculture. the site you are agreeing to our use of cookies. While Instagram’s imagined affordances clashed against some users’ feminist sensibilities, they aligned with and amplified others’. It has been a rapid rise, but one that was very well justified with his resume and accomplishments. Instead, we let our respondents explain what sorts of practices or ideas they regarded as feminist (see also Keller, 2015: 20–23). It’s still pretty pictures. I have read and accept the terms and conditions, View permissions information for this article. These include but are not limited to: the close matching between online self-branding and competitive individualism; how the attention economy of visual social media teaches women to sexualize their bodies in order to gain visibility and acclaim; and what it means for feminism to be rehearsed on and through commercial platforms. Trivia. At the age of 14, Justus is one of the top-ranked youth chess players in the world. Our 25 interviewees consume Instagram content daily, while active posting ranges from daily to monthly. Visual and symbolic expressions of feminism on Instagram were indeed often highly aestheticized and polished (Figures 4 and 5). Empowerment has a lot to do with it. Intersectionality—widely embraced as a corrective to second-wave feminism’s overwhelming focus on privileged (White, middle-class, heterosexual) women (e.g. . Sign in here to access free tools such as favourites and alerts, or to access personal subscriptions, If you have access to journal content via a university, library or employer, sign in here, Research off-campus without worrying about access issues. JD has a diverse range and it shows in their music. Much of his recent work studies how social movements organize at the interface of digital platforms and cities. Yet another example is Maya’s protest against fat-shaming (Figure 9): the text on her t-shirt articulates a strong critique of beauty standards, but the image confirms those standards. Before Fame. Self-branding granted Sara freedom to define her professional self, but she had to carefully attune her feminist messages to the fashion industry’s value system. Figure 2. Instagram’s interaction order is not a predetermined structure, but the changing expressive behavior of others modifies the conditions of one’s self-presentation strategies (Elias, 1984). So, it’s important not to exclude yourself. Filtering entails both enhancement and subtraction: some feminist sensibilities align with Instagram’s interaction order, while others become subdued and remain at the margins of visibility. (Jie). Uitermark has a long-standing interest in how political contestation shapes cities and how cities, in turn, shape social conflict. . She wanted to portray herself as “young,” “free,” “cool,” and “politically involved.” Sara’s self-presentation strategy bore fruit: she gained followers and booked jobs she was content with. The Social Blade Decade Abbreviated Subscriber Counts on YouTube Social Blade launches Report Cards for YouTube Instagram opens highly-coveted verification fo… YouTube Premium to debut 50 original shows in … YouTube Music inks partnership with American M… Most interviewees were at a stage in their lives where their social circles and most of their Instagram followers were pro-feminist, which makes it easier to wear one’s politics on one’s sleeve. In her quest to make it in the fashion world, developing a presence on the visual social network Instagram was central. A new directions essay, Number of daily active Instagram stories users, Distribution of total number of users of Instagram in the Netherlands, Sportswomen and social media: bringing third-wave feminism, postfeminism, and neoliberal feminism into conversation, Social norms and self-presentation on social network sites: profile work in action, Filtering feminisms: Emergent feminist visibilities on Instagram, https://creativecommons.org/licenses/by/4.0/, https://us.sagepub.com/en-us/nam/open-access-at-sage, https://en.oxforddictionaries.com/definition/filter, https://www.statista.com/statistics/730315/instagram-stories-dau/, https://www.statista.com/statistics/946096/instagram-user-distribution-in-the-netherlands-by-age-group-andgender/, Banet-Weiser, S, Gill, R, Rottenberg, C (. This is technically my first complete cover of any song, and I am extremely glad that it is this song. amazonde ... l u i s a About SmiHub. 1.8m Followers, 273 Following, 1,523 Posts - See Instagram photos and videos from @robertoljustus Utilize SocialBlade.com to check your Instagram Stats and Instagram Followers while tracking your progress. Now in her 20s, she has become a micro-celebrity. Please check you selected the correct society from the list and entered the user name and password you use to log in to your society website. We did not impose our own normative understandings of feminisms. The things that I’m insecure about, I don’t post. If you want to be cool, you have to dress so and so, add a new iPhone every year. However, we should not forget the critical question of “how chosen desires are constructed” and recognize “how an aggregation of individual choices can have a negative impact on gender relations at large” (Snyder, 2008: 189). . Moreover, the concept of filtering contributes to problematizations of the seeming espousal of feminism in media culture (Banet-Weiser, 2018; Banet-Weiser et al., 2019; Gill, 2016) by empirically detailing how social media dynamics favor and reinforce some feminist sensibilities over others, disguising productive tensions and even contradictions between them. Billy received an MS in biology from Arkansas State University in 1989. A wholesale denial of the norms and ideals ingrained in its interaction order and rejection of dominant scripts for the self-presentation would mean publicly dismantling the aspirational self (see Rawls, 1987: 140). At the same time, Instagram also amplifies feminist expressions and self-projects, as the constant feedback between feminist users and their audiences boosts feminist thematics that resonate widely, like individual empowerment and sex-positivity. JD has a diverse range and it shows in their music. rebeccamir Rebecca Mir. The imagined audience, Instafame: luxury selfies in the attention economy, Political agency, digital traces, and bottom-up data practices, “Anne goes rogue for abortion rights!”: hashtag feminism and the polyphonic nature of activist discourse, Imagined affordance: reconstructing a keyword for communication theory, Feminist self-imaging and Instagram: tactics of circumventing sensorship, Agencing femininity: digital Mrs. Consumer in intra-action, Branding the self as an “Authentic Feminist”: negotiating feminist values in post-feminist digital cultural production, “A group that’s just women for women”: feminist affordances of private Facebook groups for professionals, The interaction order sui generis: Goffman’s contribution to social theory, Doing feminism in the network: networked laughter and the “Binders Full of Women” meme, “Fuck Your Body Image”: teen girls’ Twitter and Instagram feminism in and around school, The psychic life of neoliberalism: mapping the contours of entrepreneurial subjectivity, What feminist theory teaches us about the internet, What is third-wave feminism? In this episode we talk a walk through Justus' journey. This site uses cookies. It authenticates one’s curated profile and increases its relatability—a key trope and indeed requirement of successful social media self-branding (cf. View or download all the content the society has access to. Login failed. This deviation from conventions is not only minute, but arguably also moot, since the rest of the post is picture-perfect. Filtering brings to the fore how different feminist sensibilities interact with the interaction order and affordances of Instagram, and what kind of feminist imagery and imaginary is produced at the user-platform-audience interface as a result. Taken together, these filtering practices contribute to the confident and happy image, individualistic streak, and accommodationist cast of “popular feminism” (Banet-Weiser, 2018), while also amplifying feminist politics that affirm the pleasures of visibility and desire. Another way to navigate these contradictory longings—from the pleasure of individual self-enhancement to the desire for radically honest sharing as an expression of one’s feminist identity and politics—is to have different accounts for each type of performance. Calvyn Justus(@calvynjustus) has created a short video on TikTok with music original sound. In the case of reposts (uploading an image from someone else’s feed to one’s own), we acquired the permission of the original content creator in addition to the interviewee to reproduce the post. They differ, but in subtle ways: the image on the left is more posed, poised, and professional-looking. The ethos of social media self-production turns out to be highly compatible with a branded, hyper-confident, and corporeal mode of activism.